Giovanni Antonio Canal is in all likelihood the painter most associated with Venice.  How could he not be with such a surname?  You probably know him better as Canaletto however.  His meticulously detailed paintings of the city and its traditions are renowned for their accuracy, and though he was not averse to changing a few details for the sake of better composition, he didn’t go as far as Turner, whose views of the city are impossible to recreate.

Giovanni Antonio Canal, il Canaletto - View of...
Giovanni Antonio Canal, il Canaletto – View of the Entrance to the Arsenal (detail) – WGA03896 (Photo credit: Wikipedia)

Canaletto’s painting of the entrance to Arsenale was completed in 1732 and furnishes plenty of detail to chart the changes that have taken place since then; the removal of the classical building in front of the right gate tower, the cleaning of the Porta Magna to the left.  The bridge across the canal has also subtly changed, no longer featuring the mechanism to open it to allow shipping through.

What has not changed is the sense of power provided by those high walls and imposing towers.  The arsenal was a symbol of a republic that meant business.

 

Venezia-10

Advertisements

3 thoughts on “Spot the Difference (Venezia 303)

  1. Of all the painters who have captured Venice I love Canaletto the most. And even though he did kind of mess around with the locations and views a little bit I can always forgive him as his paintings are glorious. A very interesting post, thanks!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s